|
I know we shall have revelling to-night. ` `
I will assume thy part in some disguise ` `
And tell fair Hero I am Claudio, ` `
And in her bosom I'll unclasp my heart ` `
And take her hearing prisoner with the force ` `
And strong encounter of my amorous tale. ` `
Then after to her father will I break, ` `
And the conclusion is, she shall be thine. ` `
In practice let us put it presently. Exeunt. ` `
` `
` `
` `
` `
Scene II. ` `
A room in Leonato's house. ` `
` `
Enter [at one door] Leonato and [at another door, Antonio] an old ` `
man, ` `
brother to Leonato. ` `
` `
Leon. How now, brother? Where is my cousin your son? Hath he ` `
provided this music? ` `
Ant. He is very busy about it. But, brother, I can tell you ` `
strange ` `
news that you yet dreamt not of. ` `
Leon. Are they good? ` `
Ant. As the event stamps them; but they have a good cover, they ` `
show well outward. The Prince and Count Claudio, walking in a ` `
thick-pleached alley in mine orchard, were thus much ` `
overheard by ` `
a man of mine: the Prince discovered to Claudio that he loved ` `
my ` `
niece your daughter and meant to acknowledge it this night in ` `
a ` `
dance, and if he found her accordant, he meant to take the ` `
present time by the top and instantly break with you of it. ` `
Leon. Hath the fellow any wit that told you this? ` `
Ant. A good sharp fellow. I will send for him, and question him ` `
yourself. ` `
Leon. No, no. We will hold it as a dream till it appear itself; ` `
but ` `
I will acquaint my daughter withal, that she may be the ` `
better ` `
prepared for an answer, if peradventure this be true. Go you ` `
and ` `
tell her of it. [Exit Antonio.] ` `
` `
[Enter Antonio's Son with a Musician, and others.] ` `
` `
[To the Son] Cousin, you know what you have to do. ` `
--[To the Musician] O, I cry you mercy, friend. Go you with ` `
me, ` `
and I will use your skill.--Good cousin, have a care this ` `
busy ` `
time. Exeunt. ` `
` `
` `
` `
` `
Scene III. ` `
Another room in Leonato's house.] ` `
` `
Enter Sir John the Bastard and Conrade, his companion. ` `
` `
Con. What the goodyear, my lord! Why are you thus out of ` `
measure ` `
sad? ` `
John. There is no measure in the occasion that breeds; ` `
therefore ` `
the sadness is without limit. ` `
Con. You should hear reason. ` `
John. And when I have heard it, what blessings brings it? ` `
Con. If not a present remedy, at least a patient sufferance. ` `
John. I wonder that thou (being, as thou say'st thou art, born ` `
under Saturn) goest about to apply a moral medicine to a ` `
mortifying mischief. I cannot hide what I am: I must be sad ` `
when ` `
I have cause, and smile at no man's jests; eat when I have ` `
stomach, and wait for no man's leisure; sleep when I am ` `
drowsy, ` `
and tend on no man's business; laugh when I am merry, and ` `
claw no ` `
man in his humour. ` `
Con. Yea, but you must not make the full show of this till you ` `
may ` `
do it without controlment. You have of late stood out against ` `
your brother, and he hath ta'en you newly into his grace, ` `
where ` `
it is impossible you should take true root but by the fair ` `
weather that you make yourself. It is needful that you frame ` `
the ` `
season for your own harvest. ` `
John. I had rather be a canker in a hedge than a rose in his ` `
grace, ` `
and it better fits my blood to be disdain'd of all than to ` `
fashion a carriage to rob love from any. In this, though I ` `
cannot ` `
be said to be a flattering honest man, it must not be denied ` `
but ` `
I am a plain-dealing villain. I am trusted with a muzzle and ` `
enfranchis'd with a clog; therefore I have decreed not to ` `
sing in ` `
my cage. If I had my mouth, I would bite; if I had my ` `
liberty, I ` `
would do my liking. In the meantime let me be that I am, and ` `
seek ` `
not to alter me. ` `
Con. Can you make no use of your discontent? ` `
John. I make all use of it, for I use it only. ` `
` `
Enter Borachio. ` `
` `
Who comes here? What news, Borachio? ` `
Bora. I came yonder from a great supper. The Prince your ` `
brother is ` `
royally entertain'd by Leonato, and I can give you ` `
intelligence ` `
of an intended marriage. ` `
John. Will it serve for any model to build mischief on? ` `
What is he for a fool that betroths himself to unquietness? ` `
Bora. Marry, it is your brother's right hand. ` `
John. Who? the most exquisite Claudio? ` `
Bora. Even he. ` `
John. A proper squire! And who? and who? which way looks he? ` `
Bora. Marry, on Hero, the daughter and heir of Leonato. ` `
John. A very forward March-chick! How came you to this? ` `
Bora. Being entertain'd for a perfumer, as I was smoking a ` `
musty ` `
room, comes me the Prince and Claudio, hand in hand in sad ` `
conference. I whipt me behind the arras and there heard it ` `
agreed ` `
upon that the Prince should woo Hero for himself, and having ` `
obtain'd her, give her to Count Claudio. ` `
John. Come, come, let us thither. This may prove food to my ` `
displeasure. That young start-up hath all the glory of my ` `
overthrow. If I can cross him any way, I bless myself every ` `
way. ` `
You are both sure, and will assist me? ` `
Con. To the death, my lord. ` `
John. Let us to the great supper. Their cheer is the greater ` `
that ` `
I am subdued. Would the cook were o' my mind! Shall we go ` `
prove ` `
what's to be done? ` `
Bora. We'll wait upon your lordship. ` `
Exeunt. ` `
` `
` `
` `
` `
<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM ` `
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC., AND IS ` `
PROVIDED BY PROJECT GUTENBERG ETEXT OF CARNEGIE MELLON UNIVERSITY ` `
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE ` `
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS ` `
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED ` `
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY ` `
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP.>> ` `
` `
` `
` `
ACT II. Scene I. ` `
A hall in Leonato's house. ` `
` `
Enter Leonato, [Antonio] his Brother, Hero his Daughter, ` `
and Beatrice his Niece, and a Kinsman; [also Margaret and ` `
Ursula]. ` `
` `
Leon. Was not Count John here at supper? ` `
Ant. I saw him not. ` `
Beat. How tartly that gentleman looks! I never can see him but ` `
I am ` `
heart-burn'd an hour after. ` `
Hero. He is of a very melancholy disposition. ` `
Beat. He were an excellent man that were made just in the ` `
midway ` `
between him and Benedick. The one is too like an image and ` `
says ` `
nothing, and the other too like my lady's eldest son, ` `
evermore ` `
tattling. ` `
Leon. Then half Signior Benedick's tongue in Count John's ` `
mouth, ` `
and half Count John's melancholy in Signior Benedick's face-- ` `
Beat. With a good leg and a good foot, uncle, and money enough ` `
in ` `
his purse, such a man would win any woman in the world--if 'a ` `
could get her good will. ` `
Leon. By my troth, niece, thou wilt never get thee a husband if ` `
thou be so shrewd of thy tongue. ` `
Ant. In faith, she's too curst. ` `
Beat. Too curst is more than curst. I shall lessen God's ` `
sending ` `
that way, for it is said, 'God sends a curst cow short ` `
horns,' ` `
but to a cow too curst he sends none. ` `
Leon. So, by being too curst, God will send you no horns. ` `
Beat. Just, if he send me no husband; for the which blessing I ` `
am ` `
at him upon my knees every morning and evening. Lord, I could ` `
not ` `
|