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the piano, accompanying themselves, each with one hand, a ` `
fancy to which they had accustomed themselves, and performed ` `
admirably. Mademoiselle d'Armilly, whom they then perceived ` `
through the open doorway, formed with Eugenie one of the ` `
tableaux vivants of which the Germans are so fond. She was ` `
somewhat beautiful, and exquisitely formed -- a little ` `
fairy-like figure, with large curls falling on her neck, ` `
which was rather too long, as Perugino sometimes makes his ` `
Virgins, and her eyes dull from fatigue. She was said to ` `
have a weak chest, and like Antonia in the "Cremona Violin," ` `
she would die one day while singing. Monte Cristo cast one ` `
rapid and curious glance round this sanctum; it was the ` `
first time he had ever seen Mademoiselle d'Armilly, of whom ` `
he had heard much. "Well," said the banker to his daughter, ` `
"are we then all to be excluded?" He then led the young man ` `
into the study, and either by chance or manoeuvre the door ` `
was partially closed after Andrea, so that from the place ` `
where they sat neither the Count nor the baroness could see ` `
anything; but as the banker had accompanied Andrea, Madame ` `
Danglars appeared to take no notice of it. ` `
` `
The count soon heard Andrea's voice, singing a Corsican ` `
song, accompanied by the piano. While the count smiled at ` `
hearing this song, which made him lose sight of Andrea in ` `
the recollection of Benedetto, Madame Danglars was boasting ` `
to Monte Cristo of her husband's strength of mind, who that ` `
very morning had lost three or four hundred thousand francs ` `
by a failure at Milan. The praise was well deserved, for had ` `
not the count heard it from the baroness, or by one of those ` `
means by which he knew everything, the baron's countenance ` `
would not have led him to suspect it. "Hem," thought Monte ` `
Cristo, "he begins to conceal his losses; a month since he ` `
boasted of them." Then aloud, -- "Oh, madame, M. Danglars is ` `
so skilful, he will soon regain at the Bourse what he loses ` `
elsewhere." ` `
` `
"I see that you participate in a prevalent error," said ` `
Madame Danglars. "What is it?" said Monte Cristo. ` `
` `
"That M. Danglars speculates, whereas he never does." ` `
` `
"Truly, madame, I recollect M. Debray told me -- apropos, ` `
what is become of him? I have seen nothing of him the last ` `
three or four days." ` `
` `
"Nor I," said Madame Danglars; "but you began a sentence, ` `
sir, and did not finish." ` `
` `
"Which?" ` `
` `
"M. Debray had told you" -- ` `
` `
"Ah, yes; he told me it was you who sacrificed to the demon ` `
of speculation." ` `
` `
"I was once very fond of it, but I do not indulge now." ` `
` `
"Then you are wrong, madame. Fortune is precarious; and if I ` `
were a woman and fate had made me a banker's wife, whatever ` `
might be my confidence in my husband's good fortune, still ` `
in speculation you know there is great risk. Well, I would ` `
secure for myself a fortune independent of him, even if I ` `
acquired it by placing my interests in hands unknown to ` `
him." Madame Danglars blushed, in spite of all her efforts. ` `
"Stay," said Monte Cristo, as though he had not observed her ` `
confusion, "I have heard of a lucky hit that was made ` `
yesterday on the Neapolitan bonds." ` `
` `
"I have none -- nor have I ever possessed any; but really we ` `
have talked long enough of money, count, we are like two ` `
stockbrokers; have you heard how fate is persecuting the ` `
poor Villeforts?" ` `
` `
"What has happened?" said the count, simulating total ` `
ignorance. ` `
` `
"You know the Marquis of Saint-Meran died a few days after ` `
he had set out on his journey to Paris, and the marchioness ` `
a few days after her arrival?" ` `
` `
"Yes," said Monte Cristo, "I have heard that; but, as ` `
Claudius said to Hamlet, `it is a law of nature; their ` `
fathers died before them, and they mourned their loss; they ` `
will die before their children, who will, in their turn, ` `
grieve for them.'" ` `
` `
"But that is not all." ` `
` `
"Not all!" ` `
` `
"No; they were going to marry their daughter" -- ` `
` `
"To M. Franz d'Epinay. Is it broken off?" ` `
` `
"Yesterday morning, it appears, Franz declined the honor." ` `
` `
"Indeed? And is the reason known?" ` `
` `
"No." ` `
` `
"How extraordinary! And how does M. de Villefort bear it?" ` `
` `
"As usual. Like a philosopher." Danglars returned at this ` `
moment alone. "Well," said the baroness, "do you leave M. ` `
Cavalcanti with your daughter?" ` `
` `
"And Mademoiselle d'Armilly," said the banker; "do you ` `
consider her no one?" Then, turning to Monte Cristo, he ` `
said, "Prince Cavalcanti is a charming young man, is he not? ` `
But is he really a prince?" ` `
` `
"I will not answer for it," said Monte Cristo. "His father ` `
was introduced to me as a marquis, so he ought to be a ` `
count; but I do not think he has much claim to that title." ` `
` `
"Why?" said the banker. "If he is a prince, he is wrong not ` `
to maintain his rank; I do not like any one to deny his ` `
origin." ` `
` `
"Oh, you are a thorough democrat," said Monte Cristo, ` `
smiling. ` `
` `
"But do you see to what you are exposing yourself?" said the ` `
baroness. "If, perchance, M. de Morcerf came, he would find ` `
M. Cavalcanti in that room, where he, the betrothed of ` `
Eugenie, has never been admitted." ` `
` `
"You may well say, perchance," replied the banker; "for he ` `
comes so seldom, it would seem only chance that brings him." ` `
` `
"But should he come and find that young man with your ` `
daughter, he might be displeased." ` `
` `
"He? You are mistaken. M. Albert would not do us the honor ` `
to be jealous; he does not like Eugenie sufficiently. ` `
Besides, I care not for his displeasure." ` `
` `
"Still, situated as we are" -- ` `
` `
"Yes, do you know how we are situated? At his mother's ball ` `
he danced once with Eugenie, and M. Cavalcanti three times, ` `
and he took no notice of it." The valet announced the ` `
Vicomte Albert de Morcerf. The baroness rose hastily, and ` `
was going into the study, when Danglars stopped her. "Let ` `
her alone," said he. She looked at him in amazement. Monte ` `
Cristo appeared to be unconscious of what passed. Albert ` `
entered, looking very handsome and in high spirits. He bowed ` `
politely to the baroness, familiarly to Danglars, and ` `
affectionately to Monte Cristo. Then turning to the ` `
baroness: "May I ask how Mademoiselle Danglars is?" said he. ` `
` `
"She is quite well," replied Danglars quickly; "she is at ` `
the piano with M. Cavalcanti." Albert retained his calm and ` `
indifferent manner; he might feel perhaps annoyed, but he ` `
knew Monte Cristo's eye was on him. "M. Cavalcanti has a ` `
fine tenor voice," said he, "and Mademoiselle Eugenie a ` `
splendid soprano, and then she plays the piano like ` `
Thalberg. The concert must be a delightful one." ` `
` `
"They suit each other remarkably well," said Danglars. ` `
Albert appeared not to notice this remark, which was, ` `
however, so rude that Madame Danglars blushed. ` `
` `
"I, too," said the young man, "am a musician -- at least, my ` `
masters used to tell me so; but it is strange that my voice ` `
never would suit any other, and a soprano less than any." ` `
Danglars smiled, and seemed to say, "It is of no ` `
consequence." Then, hoping doubtless to effect his purpose, ` `
he said, -- "The prince and my daughter were universally ` `
admired yesterday. You were not of the party, M. de ` `
Morcerf?" ` `
` `
"What prince?" asked Albert. "Prince Cavalcanti," said ` `
Danglars, who persisted in giving the young man that title. ` `
` `
"Pardon me," said Albert, "I was not aware that he was a ` `
prince. And Prince Cavalcanti sang with Mademoiselle Eugenie ` `
yesterday? It must have been charming, indeed. I regret not ` `
having heard them. But I was unable to accept your ` `
invitation, having promised to accompany my mother to a ` `
German concert given by the Baroness of Chateau-Renaud." ` `
This was followed by rather an awkward silence. "May I also ` `
be allowed," said Morcerf, "to pay my respects to ` `
Mademoiselle Danglars?" "Wait a moment," said the banker, ` `
stopping the young man; "do you hear that delightful ` `
cavatina? Ta, ta, ta, ti, ta, ti, ta, ta; it is charming, ` `
let them finish -- one moment. Bravo, bravi, brava!" The ` `
banker was enthusiastic in his applause. ` `
` `
"Indeed," said Albert, "it is exquisite; it is impossible to ` `
understand the music of his country better than Prince ` `
Cavalcanti does. You said prince, did you not? But he can ` `
easily become one, if he is not already; it is no uncommon ` `
thing in Italy. But to return to the charming musicians -- ` `
you should give us a treat, Danglars, without telling them ` `
there is a stranger. Ask them to sing one more song; it is ` `
so delightful to hear music in the distance, when the ` `
musicians are unrestrained by observation." ` `
` `
Danglars was quite annoyed by the young man's indifference. ` `
He took Monte Cristo aside. "What do you think of our ` `
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