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` `
THE ADVENTURES OF TOM SAWYER ` `
BY ` `
MARK TWAIN ` `
(Samuel Langhorne Clemens) ` `
` `
` `
` `
` `
P R E F A C E ` `
` `
MOST of the adventures recorded in this book really occurred; one or ` `
two were experiences of my own, the rest those of boys who were ` `
schoolmates of mine. Huck Finn is drawn from life; Tom Sawyer also, but ` `
not from an individual--he is a combination of the characteristics of ` `
three boys whom I knew, and therefore belongs to the composite order of ` `
architecture. ` `
` `
The odd superstitions touched upon were all prevalent among children ` `
and slaves in the West at the period of this story--that is to say, ` `
thirty or forty years ago. ` `
` `
Although my book is intended mainly for the entertainment of boys and ` `
girls, I hope it will not be shunned by men and women on that account, ` `
for part of my plan has been to try to pleasantly remind adults of what ` `
they once were themselves, and of how they felt and thought and talked, ` `
and what queer enterprises they sometimes engaged in. ` `
` `
THE AUTHOR. ` `
` `
HARTFORD, 1876. ` `
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T O M S A W Y E R ` `
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` `
CHAPTER I ` `
` `
"TOM!" ` `
` `
No answer. ` `
` `
"TOM!" ` `
` `
No answer. ` `
` `
"What's gone with that boy, I wonder? You TOM!" ` `
` `
No answer. ` `
` `
The old lady pulled her spectacles down and looked over them about the ` `
room; then she put them up and looked out under them. She seldom or ` `
never looked THROUGH them for so small a thing as a boy; they were her ` `
state pair, the pride of her heart, and were built for "style," not ` `
service--she could have seen through a pair of stove-lids just as well. ` `
She looked perplexed for a moment, and then said, not fiercely, but ` `
still loud enough for the furniture to hear: ` `
` `
"Well, I lay if I get hold of you I'll--" ` `
` `
She did not finish, for by this time she was bending down and punching ` `
under the bed with the broom, and so she needed breath to punctuate the ` `
punches with. She resurrected nothing but the cat. ` `
` `
"I never did see the beat of that boy!" ` `
` `
She went to the open door and stood in it and looked out among the ` `
tomato vines and "jimpson" weeds that constituted the garden. No Tom. ` `
So she lifted up her voice at an angle calculated for distance and ` `
shouted: ` `
` `
"Y-o-u-u TOM!" ` `
` `
There was a slight noise behind her and she turned just in time to ` `
seize a small boy by the slack of his roundabout and arrest his flight. ` `
` `
"There! I might 'a' thought of that closet. What you been doing in ` `
there?" ` `
` `
"Nothing." ` `
` `
"Nothing! Look at your hands. And look at your mouth. What IS that ` `
truck?" ` `
` `
"I don't know, aunt." ` `
` `
"Well, I know. It's jam--that's what it is. Forty times I've said if ` `
you didn't let that jam alone I'd skin you. Hand me that switch." ` `
` `
The switch hovered in the air--the peril was desperate-- ` `
` `
"My! Look behind you, aunt!" ` `
` `
The old lady whirled round, and snatched her skirts out of danger. The ` `
lad fled on the instant, scrambled up the high board-fence, and ` `
disappeared over it. ` `
` `
His aunt Polly stood surprised a moment, and then broke into a gentle ` `
laugh. ` `
` `
"Hang the boy, can't I never learn anything? Ain't he played me tricks ` `
enough like that for me to be looking out for him by this time? But old ` `
fools is the biggest fools there is. Can't learn an old dog new tricks, ` `
as the saying is. But my goodness, he never plays them alike, two days, ` `
and how is a body to know what's coming? He 'pears to know just how ` `
long he can torment me before I get my dander up, and he knows if he ` `
can make out to put me off for a minute or make me laugh, it's all down ` `
again and I can't hit him a lick. I ain't doing my duty by that boy, ` `
and that's the Lord's truth, goodness knows. Spare the rod and spile ` `
the child, as the Good Book says. I'm a laying up sin and suffering for ` `
us both, I know. He's full of the Old Scratch, but laws-a-me! he's my ` `
own dead sister's boy, poor thing, and I ain't got the heart to lash ` `
him, somehow. Every time I let him off, my conscience does hurt me so, ` `
and every time I hit him my old heart most breaks. Well-a-well, man ` `
that is born of woman is of few days and full of trouble, as the ` `
Scripture says, and I reckon it's so. He'll play hookey this evening, * ` `
and [* Southwestern for "afternoon"] I'll just be obleeged to make him ` `
work, to-morrow, to punish him. It's mighty hard to make him work ` `
Saturdays, when all the boys is having holiday, but he hates work more ` `
than he hates anything else, and I've GOT to do some of my duty by him, ` `
or I'll be the ruination of the child." ` `
` `
Tom did play hookey, and he had a very good time. He got back home ` `
barely in season to help Jim, the small colored boy, saw next-day's ` `
wood and split the kindlings before supper--at least he was there in ` `
time to tell his adventures to Jim while Jim did three-fourths of the ` `
work. Tom's younger brother (or rather half-brother) Sid was already ` `
through with his part of the work (picking up chips), for he was a ` `
quiet boy, and had no adventurous, troublesome ways. ` `
` `
While Tom was eating his supper, and stealing sugar as opportunity ` `
offered, Aunt Polly asked him questions that were full of guile, and ` `
very deep--for she wanted to trap him into damaging revealments. Like ` `
many other simple-hearted souls, it was her pet vanity to believe she ` `
was endowed with a talent for dark and mysterious diplomacy, and she ` `
loved to contemplate her most transparent devices as marvels of low ` `
cunning. Said she: ` `
` `
"Tom, it was middling warm in school, warn't it?" ` `
` `
"Yes'm." ` `
` `
"Powerful warm, warn't it?" ` `
` `
"Yes'm." ` `
` `
"Didn't you want to go in a-swimming, Tom?" ` `
` `
A bit of a scare shot through Tom--a touch of uncomfortable suspicion. ` `
He searched Aunt Polly's face, but it told him nothing. So he said: ` `
` `
"No'm--well, not very much." ` `
` `
The old lady reached out her hand and felt Tom's shirt, and said: ` `
` `
"But you ain't too warm now, though." And it flattered her to reflect ` `
that she had discovered that the shirt was dry without anybody knowing ` `
that that was what she had in her mind. But in spite of her, Tom knew ` `
where the wind lay, now. So he forestalled what might be the next move: ` `
` `
"Some of us pumped on our heads--mine's damp yet. See?" ` `
` `
Aunt Polly was vexed to think she had overlooked that bit of ` `
circumstantial evidence, and missed a trick. Then she had a new ` `
inspiration: ` `
` `
"Tom, you didn't have to undo your shirt collar where I sewed it, to ` `
pump on your head, did you? Unbutton your jacket!" ` `
` `
The trouble vanished out of Tom's face. He opened his jacket. His ` `
shirt collar was securely sewed. ` `
` `
"Bother! Well, go 'long with you. I'd made sure you'd played hookey ` `
and been a-swimming. But I forgive ye, Tom. I reckon you're a kind of a ` `
singed cat, as the saying is--better'n you look. THIS time." ` `
` `
She was half sorry her sagacity had miscarried, and half glad that Tom ` `
had stumbled into obedient conduct for once. ` `
` `
But Sidney said: ` `
` `
"Well, now, if I didn't think you sewed his collar with white thread, ` `
but it's black." ` `
` `
"Why, I did sew it with white! Tom!" ` `
` `
But Tom did not wait for the rest. As he went out at the door he said: ` `
` `
"Siddy, I'll lick you for that." ` `
` `
In a safe place Tom examined two large needles which were thrust into ` `
the lapels of his jacket, and had thread bound about them--one needle ` `
carried white thread and the other black. He said: ` `
` `
"She'd never noticed if it hadn't been for Sid. Confound it! sometimes ` `
she sews it with white, and sometimes she sews it with black. I wish to ` `
geeminy she'd stick to one or t'other--I can't keep the run of 'em. But ` `
I bet you I'll lam Sid for that. I'll learn him!" ` `
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