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AROUND THE WORLD IN EIGHTY DAYS ` `
by Jules Verne ` `
` `
` `
Chapter I ` `
` `
IN WHICH PHILEAS FOGG AND PASSEPARTOUT ACCEPT EACH OTHER, ` `
THE ONE AS MASTER, THE OTHER AS MAN ` `
` `
` `
Mr. Phileas Fogg lived, in 1872, at No. 7, Saville Row, Burlington ` `
Gardens, the house in which Sheridan died in 1814. He was one of ` `
the most noticeable members of the Reform Club, though he seemed ` `
always to avoid attracting attention; an enigmatical personage, ` `
about whom little was known, except that he was a polished man ` `
of the world. People said that he resembled Byron--at least ` `
that his head was Byronic; but he was a bearded, tranquil Byron, ` `
who might live on a thousand years without growing old. ` `
` `
Certainly an Englishman, it was more doubtful whether Phileas Fogg ` `
was a Londoner. He was never seen on 'Change, nor at the Bank, ` `
nor in the counting-rooms of the "City"; no ships ever came into ` `
London docks of which he was the owner; he had no public employment; ` `
he had never been entered at any of the Inns of Court, either at the Temple, ` `
or Lincoln's Inn, or Gray's Inn; nor had his voice ever resounded ` `
in the Court of Chancery, or in the Exchequer, or the Queen's Bench, ` `
or the Ecclesiastical Courts. He certainly was not a manufacturer; ` `
nor was he a merchant or a gentleman farmer. His name was strange ` `
to the scientific and learned societies, and he never was known ` `
to take part in the sage deliberations of the Royal Institution ` `
or the London Institution, the Artisan's Association, or the ` `
Institution of Arts and Sciences. He belonged, in fact, ` `
to none of the numerous societies which swarm in the English capital, ` `
from the Harmonic to that of the Entomologists, founded mainly ` `
for the purpose of abolishing pernicious insects. ` `
` `
Phileas Fogg was a member of the Reform, and that was all. ` `
` `
The way in which he got admission to this exclusive club ` `
was simple enough. ` `
` `
He was recommended by the Barings, with whom he had an open credit. ` `
His cheques were regularly paid at sight from his account current, ` `
which was always flush. ` `
` `
Was Phileas Fogg rich? Undoubtedly. But those who knew him ` `
best could not imagine how he had made his fortune, and Mr. Fogg ` `
was the last person to whom to apply for the information. He was ` `
not lavish, nor, on the contrary, avaricious; for, whenever he knew ` `
that money was needed for a noble, useful, or benevolent purpose, ` `
he supplied it quietly and sometimes anonymously. He was, in short, ` `
the least communicative of men. He talked very little, and seemed ` `
all the more mysterious for his taciturn manner. His daily habits ` `
were quite open to observation; but whatever he did was so exactly ` `
the same thing that he had always done before, that the wits ` `
of the curious were fairly puzzled. ` `
` `
Had he travelled? It was likely, for no one seemed to know ` `
the world more familiarly; there was no spot so secluded ` `
that he did not appear to have an intimate acquaintance with it. ` `
He often corrected, with a few clear words, the thousand conjectures ` `
advanced by members of the club as to lost and unheard-of travellers, ` `
pointing out the true probabilities, and seeming as if gifted with ` `
a sort of second sight, so often did events justify his predictions. ` `
He must have travelled everywhere, at least in the spirit. ` `
` `
It was at least certain that Phileas Fogg had not absented himself ` `
from London for many years. Those who were honoured by a better ` `
acquaintance with him than the rest, declared that nobody could ` `
pretend to have ever seen him anywhere else. His sole pastimes ` `
were reading the papers and playing whist. He often won at this game, ` `
which, as a silent one, harmonised with his nature; but his winnings ` `
never went into his purse, being reserved as a fund for his charities. ` `
Mr. Fogg played, not to win, but for the sake of playing. ` `
The game was in his eyes a contest, a struggle with a difficulty, ` `
yet a motionless, unwearying struggle, congenial to his tastes. ` `
` `
Phileas Fogg was not known to have either wife or children, ` `
which may happen to the most honest people; either relatives ` `
or near friends, which is certainly more unusual. He lived alone ` `
in his house in Saville Row, whither none penetrated. A single ` `
domestic sufficed to serve him. He breakfasted and dined at the club, ` `
at hours mathematically fixed, in the same room, at the same table, ` `
never taking his meals with other members, much less bringing ` `
a guest with him; and went home at exactly midnight, only to retire ` `
at once to bed. He never used the cosy chambers which the Reform ` `
provides for its favoured members. He passed ten hours out of the ` `
twenty-four in Saville Row, either in sleeping or making his toilet. ` `
When he chose to take a walk it was with a regular step in the ` `
entrance hall with its mosaic flooring, or in the circular gallery ` `
with its dome supported by twenty red porphyry Ionic columns, ` `
and illumined by blue painted windows. When he breakfasted or dined ` `
all the resources of the club--its kitchens and pantries, ` `
its buttery and dairy--aided to crowd his table with their most ` `
succulent stores; he was served by the gravest waiters, ` `
in dress coats, and shoes with swan-skin soles, who proffered ` `
the viands in special porcelain, and on the finest linen; ` `
club decanters, of a lost mould, contained his sherry, ` `
his port, and his cinnamon-spiced claret; while his beverages ` `
were refreshingly cooled with ice, brought at great cost ` `
from the American lakes. ` `
` `
If to live in this style is to be eccentric, it must be ` `
confessed that there is something good in eccentricity. ` `
` `
The mansion in Saville Row, though not sumptuous, was exceedingly comfortable. ` `
The habits of its occupant were such as to demand but little from the ` `
sole domestic, but Phileas Fogg required him to be almost superhumanly ` `
prompt and regular. On this very 2nd of October he had dismissed ` `
James Forster, because that luckless youth had brought him shaving-water ` `
at eighty-four degrees Fahrenheit instead of eighty-six; ` `
and he was awaiting his successor, who was due at the house ` `
between eleven and half-past. ` `
` `
Phileas Fogg was seated squarely in his armchair, his feet close together ` `
like those of a grenadier on parade, his hands resting on his knees, ` `
his body straight, his head erect; he was steadily watching a complicated ` `
clock which indicated the hours, the minutes, the seconds, the days, ` `
the months, and the years. At exactly half-past eleven Mr. Fogg would, ` `
according to his daily habit, quit Saville Row, and repair to the Reform. ` `
` `
A rap at this moment sounded on the door of the cosy apartment where ` `
Phileas Fogg was seated, and James Forster, the dismissed servant, appeared. ` `
` `
"The new servant," said he. ` `
` `
A young man of thirty advanced and bowed. ` `
` `
"You are a Frenchman, I believe," asked Phileas Fogg, "and your name is John?" ` `
` `
"Jean, if monsieur pleases," replied the newcomer, "Jean Passepartout, ` `
a surname which has clung to me because I have a natural aptness ` `
for going out of one business into another. I believe I'm honest, ` `
monsieur, but, to be outspoken, I've had several trades. I've been ` `
an itinerant singer, a circus-rider, when I used to vault like Leotard, ` `
and dance on a rope like Blondin. Then I got to be a professor of gymnastics, ` `
so as to make better use of my talents; and then I was a sergeant fireman ` `
at Paris, and assisted at many a big fire. But I quitted France ` `
five years ago, and, wishing to taste the sweets of domestic life, ` `
took service as a valet here in England. Finding myself out of place, ` `
and hearing that Monsieur Phileas Fogg was the most exact and settled ` `
gentleman in the United Kingdom, I have come to monsieur in the hope ` `
of living with him a tranquil life, and forgetting even the name ` `
of Passepartout." ` `
` `
"Passepartout suits me," responded Mr. Fogg. "You are well recommended ` `
to me; I hear a good report of you. You know my conditions?" ` `
` `
"Yes, monsieur." ` `
` `
"Good! What time is it?" ` `
` `
"Twenty-two minutes after eleven," returned Passepartout, ` `
drawing an enormous silver watch from the depths of his pocket. ` `
` `
"You are too slow," said Mr. Fogg. ` `
` `
"Pardon me, monsieur, it is impossible--" ` `
` `
"You are four minutes too slow. No matter; it's enough to mention ` `
the error. Now from this moment, twenty-nine minutes after eleven, a.m., ` `
this Wednesday, 2nd October, you are in my service." ` `
` `
Phileas Fogg got up, took his hat in his left hand, put it on ` `
his head with an automatic motion, and went off without a word. ` `
` `
Passepartout heard the street door shut once; it was his new ` `
master going out. He heard it shut again; it was his predecessor, ` `
James Forster, departing in his turn. Passepartout remained ` `
alone in the house in Saville Row. ` `
` `
` `
` `
` `
Chapter II ` `
` `
IN WHICH PASSEPARTOUT IS CONVINCED THAT HE HAS AT LAST FOUND HIS IDEAL ` `
` `
` `
"Faith," muttered Passepartout, somewhat flurried, "I've seen people ` `
at Madame Tussaud's as lively as my new master!" ` `
` `
Madame Tussaud's "people," let it be said, are of wax, and are much ` `
visited in London; speech is all that is wanting to make them human. ` `
` `
During his brief interview with Mr. Fogg, Passepartout had been ` `
carefully observing him. He appeared to be a man about forty years of age, ` `
with fine, handsome features, and a tall, well-shaped figure; ` `
his hair and whiskers were light, his forehead compact and unwrinkled, ` `
his face rather pale, his teeth magnificent. His countenance possessed ` `
in the highest degree what physiognomists call "repose in action," ` `
a quality of those who act rather than talk. Calm and phlegmatic, ` `
with a clear eye, Mr. Fogg seemed a perfect type of that English ` `
composure which Angelica Kauffmann has so skilfully represented on canvas. ` `
Seen in the various phases of his daily life, he gave the idea of being ` `
perfectly well-balanced, as exactly regulated as a Leroy chronometer. ` `
Phileas Fogg was, indeed, exactitude personified, and this was betrayed ` `
even in the expression of his very hands and feet; for in men, as well as ` `
in animals, the limbs themselves are expressive of the passions. ` `
` `
He was so exact that he was never in a hurry, was always ready, ` `
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